◄ Index
Alex Denney
Review
The Room Next Door: Pedro Almodóvar’s New Film Makes a Case for Euthanasia
02.09.2024
Interview
“Life Should Be Filled With Magic”: The Hypnotic Cinema of Albert Serra
12.07.2024
Feature
Modern dance: why we are living in the age of off-kilter choreography
01.07.2024
Interview
“Screw the Natural Law!”: Isabella Rossellini in Conversation
13.05.2024
Interview
Civil War: How the Rise of Populism Inspired Alex Garland’s New Film
09.04.2024
Interview
Io Capitano: This Migrant Film Is the “Journey of Our Era”
05.04.2024
Interview
Zone of Interest Star Christian Friedel: “We Have to Learn From History”
02.02.2024
Interview
Sjón, the Icelandic Poet Behind Björk and Robert Eggers’ Best Work
12.12.2023
Interview
Luna Carmoon’s Hypnotically Strange Debut Film About Hoarders
15.09.2023
Interview
Ryusuke Hamaguchi on Evil Does Not Exist: “I Love Being Puzzled”
07.09.2023
Review
Poor Things Review: Sex Rules in Yorgos Lanthimos’ Bizarre Gothic
04.09.2023
Interview
Josh O’Connor on His New Film La Chimera and Growing Up Catholic
31.05.2023
Review
Riddle of Fire, Possibly the Coolest Debut Feature From Cannes
30.05.2023
Interview
Paul Schrader on Master Gardener: “Gardening Is a Kind of Eugenics”
26.05.2023
Interview
Pearl: The Inside Story of Ti West’s Soon-To-Be-Cult Slasher
24.03.2023
Review
Pearl, a High-Wire Horror Prequel From Ti West
17.03.2023
Interview
Joyland: How Saim Sadiq Made Pakistan’s Groundbreaking Trans Love Story
28.02.2023
Interview
Saint Omer, the True Crime Film That Tackles Motherhood and Migration
03.02.2023
Interview
Darren Aronofsky on The Whale and the Second Coming of Brendan Fraser
31.01.2023
Feature
Why Are Films About the Art of Cinema Failing to Land?
20.01.2023
Interview
Hildur Guðnadóttir on Soundtracking Tàr and Sexism in Classical Music
11.01.2023
Review
Alcarràs: A Portrait of a Catalan Family Farm Fighting for Survival
09.01.2023
Interview
Vicky Krieps on Playing the Tragic Austrian Empress Murdered by Anarchists
26.12.2022
Interview
Charlotte Wells on Aftersun: “Grief Doesn’t Exist without the Joy”
18.11.2022
Interview
Park Chan-wook on His “Obsessive” New Noir, Decision to Leave
20.10.2022
Interview
How Romanian Actress Fatma Mohamed Became Peter Strickland’s Muse
30.09.2022
Interview
Kogonada Says His Sci-Fi After Yang is “About the Construct of Asianness”
26.09.2022
Review
Hit the Road, the Iranian Comedy with a Serious Message
01.08.2022
Review
New Film Pleasure Is a Soul-Shattering Porn Industry Exposé
17.06.2022
Review
Aftersun Review: Charlotte Wells’ Miraculous Cannes Breakout Film
24.05.2022
Interview
Gaspar Noé and Françoise Lebrun on Their Dementia Psychodrama, Vortex
13.05.2022
Review
Benedetta, Paul Verhoeven’s Controversial Anti-church Satire
14.04.2022
Review
The Worst Person in the World is an Exhilarating Ode to Young Womanhood
24.03.2022
Review
Deep Water and the Comeback of the Erotic Thriller
21.03.2022
Feature
The Horror Films Navigating Cannibalism and Female Desire
18.03.2022
Feature
Have Horror Films Become Too Smart for Their Own Good?
19.01.2022
Feature
Clueless: "Under the Silver Lake" and the Return of the Amateur Sleuth
26.03.2019
Feature
Remembering the incomparably vivid movie scores of Jóhann Jóhannsson
23.02.2019
Feature
Welcome to the dollhouse: ten takes on a century of cinematic cutaways
02.07.2018
Interview
Unknown Mortal Orchestra & Taika Waititi on New Zealand culture
05.04.2018
Feature
Exploring anime legend Satoshi Kon’s unfinished final film
01.03.2018
Feature
The X-Files script that was too bleak to air
10.01.2018
Interview
John Carpenter: a conversation with the horror master
24.10.2017
Interview
Get Out’s star on the year’s scariest, weirdest film
15.05.2017
Feature
“La La Land” and its lineage of escapism during rotten times
06.01.2017
Feature
The J-horror that predicted the rise of internet isolation
11.12.2016
Interview
Inside the mind of America’s most misanthropic auteur
05.08.2016
Feature
The story behind Kate Bush’s Cloudbusting video
30.10.2015